Accéder à la collection Muséfrem dans HAL-SHS : http://hal.archives-ouvertes.fr/MUSEFREM"Playing the Church Serpent: An Eighteenth Century Profession" An on-going investigation of church musicians has led to the identification of several hundred serpents in use at the end of the ancien régime, notably in cathedrals and collegiate churches. This sample is large enough for a statistical study that confirms the presence of serpents in all regions and in all types of churches. Nonetheless, only rarely were several instrumentalists employed in the same establishment. Their wages, similar to those of other musicians, were generally higher in the northern part of the kingdom. While most serpent players only played this single instrument, others al...
Laurence (Pierre). — Variations on the same instrument. The oboe in Bas-Languedoc from the XVIIIth t...
International audienceAlthough the practice of early music in France was interrupted for some time b...
International audienceIn the XVIIth century, the musical sphere undergoes deep transformations, be i...
"Playing the Church Serpent: An Eighteenth Century Profession" An on-going investigation of church m...
Présentation de Jean-Baptiste Métoyen, sa vie, sa carrière, sa méthode. Caractéristiques organologiq...
Présentation de Jean-Baptiste Métoyen, sa vie, sa carrière, sa méthode. Caractéristiques organologiq...
Les recherches sur les instruments de l'époque baroque ont été très nombreuses depuis la fin des ann...
Les recherches sur les instruments de l'époque baroque ont été très nombreuses depuis la fin des ann...
International audienceAmong the aerophones, the serpent is probably the less represented instrument ...
Communication prononcée lors de "Sounds of the City 18", colloque international consacré à la musiqu...
National audienceUnder the Ancien Régime, important ensembles were collected and used by professiona...
Groupe de prosopographie des musiciens, Church musicians in 1790. First account of a survey on a pro...
http://ahrf.revues.org/2075International audienceChurch musicians in 1790. First account of a survey...
It appears that the area of Church music, although not completely neglected, has not yet given rise ...
Lire l'introduction de l'ouvrage collectif : http://halshs.archives-ouvertes.fr/docs/00/71/37/87/PDF...
Laurence (Pierre). — Variations on the same instrument. The oboe in Bas-Languedoc from the XVIIIth t...
International audienceAlthough the practice of early music in France was interrupted for some time b...
International audienceIn the XVIIth century, the musical sphere undergoes deep transformations, be i...
"Playing the Church Serpent: An Eighteenth Century Profession" An on-going investigation of church m...
Présentation de Jean-Baptiste Métoyen, sa vie, sa carrière, sa méthode. Caractéristiques organologiq...
Présentation de Jean-Baptiste Métoyen, sa vie, sa carrière, sa méthode. Caractéristiques organologiq...
Les recherches sur les instruments de l'époque baroque ont été très nombreuses depuis la fin des ann...
Les recherches sur les instruments de l'époque baroque ont été très nombreuses depuis la fin des ann...
International audienceAmong the aerophones, the serpent is probably the less represented instrument ...
Communication prononcée lors de "Sounds of the City 18", colloque international consacré à la musiqu...
National audienceUnder the Ancien Régime, important ensembles were collected and used by professiona...
Groupe de prosopographie des musiciens, Church musicians in 1790. First account of a survey on a pro...
http://ahrf.revues.org/2075International audienceChurch musicians in 1790. First account of a survey...
It appears that the area of Church music, although not completely neglected, has not yet given rise ...
Lire l'introduction de l'ouvrage collectif : http://halshs.archives-ouvertes.fr/docs/00/71/37/87/PDF...
Laurence (Pierre). — Variations on the same instrument. The oboe in Bas-Languedoc from the XVIIIth t...
International audienceAlthough the practice of early music in France was interrupted for some time b...
International audienceIn the XVIIth century, the musical sphere undergoes deep transformations, be i...